PAPER CUT is an installation created by PRIEST -at Saatchi Gallery from the 04/12/2025 to the 18/01/2026- . The installation reimagines childhood play as social archaeology, exposing the city’s hidden layers of class, chaos, and imitation. Beneath the colour lies London itself: the housing crisis, youth violence, influencer culture, and the weary humour of modern life.

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Black Mirror features some of the world’s most exciting contemporary artists making work about the world we live in, exposing anxieties our modern obsessions create. Artists featured include Turner prize nominee Richard Billingham, whose photography series of his parents Ray’s A Laugh pioneered “squalid realism” as he confronted the art world with the reality of poverty; Polish artist Aleksandra Mir who parodies newspapers by crudely drawing them with childlike tools – bringing new meaning to “fake news”; and Chilean sculptor Alejandra Prieto, who transforms rejected lumps of coal into a beautiful, desirable object of opulence, confronting class disparity and the commodification of luxury over function.

At a time of collective unease, Black Mirror emphasises the importance of art and satire in dissecting power structures, questioning societal norms, and visualising political unrest, providing light relief to life’s uncertainties.

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Witnesses to the transformation of their societies, the artists working in these two distinctive regions are increasingly based within cities that are changing at an unprecedented rate. Their work employs a hybrid of traditional and contemporary techniques and materials, reflecting on social and political issues faced during this period of rapid urban and economic expansion.

Including sculpture, painting, installation and photography, Pangaea II: New Art From Africa and Latin America explores the diverse cultural influences and thriving creative practices in the two great continents that were once conjoined.

Taking its title from the prehistoric landmass that conjoined Africa and America, this major survey reunites the two former sister continents by bringing together the work of their contemporary artists.

The exhibition celebrates and explores the parallels between their distinctly diverse cultures and creative practices, as they begin to receive recognition in the increasingly globalised art world.

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Exhibiting Artists: Greta Alfaro, Steven Allan, Sara Barker, James Balmforth, Charlie Billingham, James Capper, Amir Chasson, Nathan Cash Davidson, Nicholas Deshayes, Amanda Doran, Alejendro Guijarro, Dominic from Luton, Wendy Mayer, Natasha Peel, Guy Rusha, Rafal Zawistowski, Tereza Zelenkova.

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Champagne Life suggests high living, prestige and affluence, qualities that have led to champagne’s appropriation into Hip-Hop culture as an indicator of success when artists transition from economically depressed ghetto to uptown highlife.

Applied here to an exhibition bringing together the work of 14 emerging women artists, the irony of the title is palpable and throws into contrast the reality of many long, cold, lonely hours working in the studio with the perceived glamour of the art world.

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As part of our Season of Sculpture, our co-headline Winter exhibition, Christo and Jeanne-Claude: Boundless will take a retrospective look at the career and achievements of artistic collaborators and life partners Christo and Jeanne-Claude.

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These artists are not afraid to explore new media in thought-provoking ways, and each pursues a highly individualised practice. They are a seemingly disparate group, yet together reflect the diversity and breadth of contemporary art in a globalised and increasingly digital age.

While Known Unknowns does not offer an obvious unifying theme or ideological point of view, it presents its audience with a group of artists that are worthy of wider exposure.

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Including works by Nick Knight, Peter Lindbergh, Viviane Sassen, Paolo Roversi, Miles Aldridge, and Ellen von Unwerth – as well as an exciting new generation of fashion photographers – Beyond Fashion celebrates the vision and creativity of these artists and image-makers, and documents how fashion photography has become a new and exciting visual language.

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It examined the distortion of human perception, moving from normal domestic spaces, to turbulent nautical vistas and eventually complete abstraction. From the disruptive work of Mia Feuer, who addresses the post-natural landscape and our effect on it, to Pierre Carreau’s emotionally charged depictions of waves, the diverse media on display form a kaleidoscopic representation of the world, revealing a constantly changing sequence of elements and mediums.

The exhibition presented an exciting mixture of contemporary artists from around the world. Other featured artists include Tillman Kaiser whose dynamic paintings and sculptural works are meditations of history, style and form; Whitney Bedford whose tempestuous seascapes act as motifs for connecting the past and the present, and the young painter Florence Hutchings who presented a series of vivid still-life paintings inspired by everyday life.

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Stanley Donwood is regarded as one of the most important visual artists of his generation. His influential work for Radiohead spans many practices and ever-evolving aesthetics over a 23-year period, from music packaging to installations to print-making.

Paperback
54 Pages
19 x 23 cm
Published by Jealous Gallery

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